FILM 3380 Film Authorship: Cronenberg (Rusnak)

On the heels of the breakout success of his film "Crazy Rich Asians," director Jon M. Chu reflects on what drives him to create -- and makes a resounding case for the power of connection and on-screen representation.

Video is ubiquitous. Companies use it for entertainment, marketing, training – and customers generally expect it. Mark Halliday describes "Studio in a Box," a program he put together which allows State Street employees to make professional-quality videos of their own.

By expanding boundaries, exploring possibilities and conveying truth, films have helped change Africa's reality (even before "Black Panther"). Dayo Ogunyemi invites us to imagine Africa's future through the lens of inspiring filmmakers from across the continent, showing us how they can inspire Africa to make a hundred-year leap.

Zambia-born filmmaker Franco Sacchi tours us through Nollywood, Nigeria's booming film industry (the world's 3rd largest). Guerrilla filmmaking and brilliance under pressure from crews that can shoot a full-length feature in a week.

Sound design is built on deception -- when you watch a movie or TV show, nearly all of the sounds you hear are fake. In this audio-rich talk, Tasos Frantzolas explores the role of sound in storytelling and demonstrates just how easily our brains are fooled by what we hear.

Film has the power to change the way we think about ourselves and our culture. Documentarian and TED Fellow Sharmeen Obaid-Chinoy uses it to fight violence against women, turning her camera on the tradition of honor killings in Pakistan. In a stirring talk, she shares how she took her Oscar-winning film on the road in a mobile cinema, visiting small towns and villages across Pakistan -- and shifting the dynamics between women, men and society, one screening at a time.

The National Film Registry is a list of movies deemed "culturally, historically or aesthetically significant" that are earmarked for preservation by the Library of Congress. They are not selected as the "best" American films of all time, but rather as works of enduring importance to American culture.
This digital collection presents a variety of Registry titles including the World War II documentary Memphis Belle (1944), Master Hands (1936), a beautiful mechanical ballet shot on a General Motors automotive assembly line, and a plea for racial tolerance from Frank Sinatra in ​The House I Live In (1945).

The National Screening Room showcases the riches of the Library of Congress' vast moving image collection, designed to make otherwise unavailable movies, both copyrighted and in the public domain, freely accessible to the viewers worldwide.

This site features 341 motion pictures, 81 disc sound recordings, and other related materials, such as photographs and original magazine articles. In addition, histories are given of Edison's involvement with motion pictures and sound recordings, as well as a special page focusing on the life of the great inventor. Prolific inventor Thomas Alva Edison (1847-1931) has had a profound impact on modern life.

The development of early American animation is represented by this collection of 21 animated films and 2 fragments, which spans the years 1900 to 1921. The films include clay, puppet, and cut-out animation, as well as pen drawings.